Friday, September 4, 2020
Applying Ethics in Practice Essays - Ethics, Axiology, Free Essays
Applying Ethics in Practice Essays - Ethics, Axiology, Free Essays Applying Ethics in Practice Laura Rubio BSHS/335 Walk 23, 2015 Stephanie Chupein Applying Ethics in Practice As a human administrations proficient there will be times that you don't generally concur with your customer. What's more, your own qualities can turn into a moral issue. One thing to remember would be that, as an expert is that you have to put your own sentiments aside to support your customer. With my very own qualities one that would turn into a moral issue would be if a pregnant mother came in and was utilizing drugs at that point. I accept firmly that no kid ought to be raised into drugs, and that the mother or father ought to be stressed over the prosperity of their unborn youngster. I accept that no parent should utilize drugs, particularly a mother that is pregnant with an unborn youngster it against my virtue. I would be exceptionally wary when helping a family that one or the two guardians misuse drugs. I would ensure that they family got care and that it will assist them with thinking about their family. Any parent that would utilize their cash that they have, or that they get from government assistance be offered to use for drugs and not to take care of their kids is a virtue of mine. I accept that all kids ought to have what is required for them to endure including food, safe house, and attire. Despite the fact that I am against guardians that are medicate clients, I would need to figure out how to get around it with the goal that I am ready to help the kids who might be included. I would have the option to utilize an ethnical model and the code of morals to assist me with settling the issue. The primary thing that I would need to do is distinguish the issue. Second I would need to comprehend what the potential issues are, third I would need to audit the important morals code. At that point I would need to get a meeting. That way I would recognize what might be the best strategy. I would likewise need to consider what the result might be for different decisions. The ethnical choice model that I would utilize would be the women's activist model. With this model the customer is completely included. This would include the talking with the customer completely and suitably so the odds of settling on the correct choices are relevant. Along these lines the customer realizes what is happening consistently, and is engaged with their treatment. The code of ethic that I would utilize would be educated assent, capability in my general vicinity, protection and privacy, access to their records, and if there would have been an irreconcilable situation to tell them immediately. My fundamental objective would to have the option to assist my customer with whatever implies important to my capacity to support them.
Tuesday, August 25, 2020
Price Hike Free Essays
India is confronting numerous difficult issues these days, however the issue of value rise is the most genuine one. It is extremely basic nowadays. The costs of basic wares are going higher step by step. We will compose a custom paper test on Value Hike or on the other hand any comparable theme just for you Request Now India is going through a tough time these days. The issue of prise-rise has gotten intense. The legislature can't control the costs of essential merchandise. The ascent in costs is normal in a creating district like India. Be that as it may, when it runs wild, it causes extraordinary troubles for the general population. In the event that the issue isn't handled in a legitimate manner, it might take a genuine turn. There are numerous causes liable at ascend in costs. Such ascent in costs may be because of normal disasters like floods, seismic tremors and starvation and furthermore wars. The three wars among India and Pakistan and one among Indian and China since. 1962 have to a great extent influenced Indian economy. Different reasons of the taking off costs might be pay off, defilement, dark advertising, storing, carrying, profiteering and numerous other enemy of national and hostile to social propensities. The weight of populace development is additionally one of its causes. The most significant factor which is answerable for value rise is the attitude of the individuals to get mogul in a night. Significant expenses have extremely terrible impact on the individuals. These rising costs increment the typical cost for basic items. It is miserable that a little gathering of representatives acquire a great deal of cash by out of line methods for storing basic merchandise. Attributable to this propensity a larger part of individuals need to endure untold difficulties. On the off chance that the current position proceeds, the working class individuals won't have the option to keep up their situation in the public eye. The legislature knows about this issue. Various measures have been taken by the legislature. It is additionally attempting to build the creation of fundamental merchandise. The dispersion of these products has additionally been made reasonable and compelling. The weight of assessments on the working class has been diminished. Be that as it may, rising costs can be checked just when the individuals co-work with the legislature. The hoarders and the dark marketeers ought to be seriously rebuffed. Development of populace ought to be checked. Open part ought to be empowered. The legislature should assume control over the exchange of basic products. The administration should discover available resources to expand the creation. There ought to be balance in flexibly and request. Just the consolidated endeavors of the administration and the individuals can take care of the issue Step by step instructions to refer to Price Hike, Papers
Saturday, August 22, 2020
Case study discussion Essay Example | Topics and Well Written Essays - 250 words
Contextual investigation conversation - Essay Example In this manner, the school region must give Brian another chance of being in school, through the specific and individualized training programs (Geary, 2008). The individualized and specialized curriculum program for Brian should likewise include directing components. Obviously Brian had a troublesome youth; subsequently, the advocate must target giving psychosocial backing to the understudy. This help will empower Brian improve has perspectives towards training and related public activity. To limit dissatisfaction, the individualized and concentrated program should target improving the scholastic abilities of Brian. The custom curriculum educator ought to give fitting learning condition and assets, so that Brian gets sufficient inspiration to improve scholarly evaluations. The brutal and undermining activities of Brian are an immediate aftereffect of enthusiastic unsteadiness, disappointment and a troublesome youth. Along these lines he doesn't meet all requirements for suspension (Geary, 2008). The School locale and the school heads must work towards receiving an exceptional and individualized program, to support upset or incapacitated u nderstudies like
Comparison between sudden fiction story The Country Where Nobody Ever Essay
Examination between unexpected fiction story The Country Where Nobody Ever Grew Old and Died by William Maxwell and the Garden of Eden from the Bible - Essay Example He/she guarantees that the story is in the Leipzig version of the book; in any case, Beckfordââ¬â¢s book doesn't have any reference to the case that recounted in the story. The significant subject of the story, as its title additionally inferred, is the topic of everlasting status/fleetingness. In that sense, the story helps ââ¬Å"Garden to remember Edenâ⬠in the Bible. The point of this paper is to look at how the subject of everlasting status/fleetingness is intertwined into the textures of the two stories. Right off the bat, a concise record on the subject of interminability in the ââ¬Å"Garden of Edenâ⬠story will be given. At that point, the storiesââ¬â¢ contrasts concerning the subject will be examined. Prior to continuing to the examination, the topic of everlasting status raised by the ââ¬Å"Garden of Edenâ⬠story must be talked about. The topic of what passing is and whether Adam was made human holds a pivotal spot in scriptural investigations. The subject of mortality/interminability is critical as it were that it places the authority of God being referred to while raising a doubt that whether the snake was correct. In Genesis 2: 15-17, God makes a course of action with Adam and reveals to him that he will kick the bucket on the off chance that he eats of the tree of the information: The Lord God took the man and put him in the nursery of Eden to work it and keep it. What's more, the Lord God directed the man, saying ââ¬Å"You may without a doubt eat of each tree of the nursery, ââ¬Å"but of the tree of the information on great and wickedness you will not eat, for in the day that you eat of it you will definitely die.â⬠It is extremely obvious from the above section that in the event that they defy Godââ¬â¢s order, they will be rebuffed by capital punishment. Then again, when the snake and Eve chat (3:1b-5), the snake says to the lady ââ¬Å"You won't doubtlessly dieâ⬠and negates Godââ¬â¢s decree of ââ¬Å"You will unquestionably dieâ⬠. Nonetheless, despite the fact that they ate the product of the tree of information, they didn't pass on and God articulates an alternate sentence in 3:14-19. The error between the
Friday, August 21, 2020
Activity Analysis
Cost: The cost relies upon what sort of PC is purchased and what kind of web is bought. A PC can extend somewhere in the range of $400. 00 to $1000. 00 and fast web for the most part costs around $20. 00 every month. For this action a HP PC is being utilized which costs $429. 99 and rapid web for $20. 00 per month. By and large expense for one year: $669. 99. Planning: Must have an email account, realize the email address of the individual the email is going to, and purchase a PC and the web. Time: 35 min-10 minutes to discover email address of the companion and 25 minutes for creating an email. Space Needs or setting required: Indoor, PC work area with PC gear, sufficiently bright territory, and a the size of the zone doesn't make a difference up to a PC work area and seat can fit. Action Qualities: Teens, youthful grown-ups, and grown-ups may discover this errand significant. This assignment would likewise be important to businesspeople. This movement may not be not charming for the late children of post war America. Occupation: Social interest, for example, taking part in correspondence with loved ones. Recreation intrigue, for example, unwinding and sentiment of contribution by speaking with others. Oversight: Noneà Precautions: Those with visual impedances, intellectual postponements, and legitimate fine engine control may encounter trouble when playing out this undertaking and will require management to give verbal bit by bit techniques. Inconsistencies: Not suitable for those with complete visual impairment and a significant psychological postponement. May not be proper for those with significant shortages of gross and fine engine control. Engine Skills: Sensory mindfulness required. Tangible preparing including visual keenness, visual dependability, vestibular capacities, proprioceptive capacities, contact capacities, and weight mindfulness. Neuromusculoskeletal related capacities incorporate joint portability, joint solidness, muscle power, muscle tone, muscle perseverance, engine reflexes, and control of intentional and automatic developments. Engine aptitudes that are required for this undertaking are gross, fine, crossing the midline, two-sided reconciliation, and praxis. Additionally postural control and arrangement are significant for this undertaking. Procedure Skills: For this undertaking, ability to focus, memory, and recognition are required. Additionally, thought, sequencing, organizing, making, performing various tasks, and judging are utilized for this action. Correspondence/association abilities: Interests, self-idea, job execution, social contact, see, impact, and connection to others are essential to this errand. Showing and seeing feelings are critical to identify with others. Poise, relational aptitudes, and self-articulation are likewise required. ADL/IADL Performance Areas: The fine engine aptitudes of sending an email can be useful in taking care of, eating, dressing, washing, individual gadget care, and individual cleanliness. The psychological aptitudes of this movement can likewise help with individual gadget care and individual cleanliness. This action can likewise help with correspondence the executives by utilizing the relational abilities expected to send an email. Work/training execution zones: This action can be useful for those looking for business and occupation execution. Having the option to send an email will empower an individual to better their vocation by sending proficient messages. It will likewise help with work execution by utilizing intellectual, gross, and fine engine control expected to send an email. Relaxation/play/social cooperation zones: This action can be proceeded as a recreation movement and can upgrade play investigation and support. It can improve play by meeting new individuals and investigating new premiums. It can likewise better social cooperation by trading data with loved ones. Consistent correspondence with individuals will improve social abilities. Adjustment: Potential for adjustment is generally excellent. May utilize raised or expanded keys on the console for those with a visual impedance and low tangible coordination. May likewise build the zoom on web pages so an individual can see a bigger picture. With somebody who has constrained ROM, a remote console would work best. Along these lines the individual can set the console on lap. The mouse can be adjusted by expanding it and including diverse surface for the privilege and left snap. Along these lines, the individual knows about the various sides. Reviewing: Adding wrist loads to hands will improve arm quality. Setting the console and mouse further from the individual will empower reach while sitting. Utilizing a treatment ball rather than a seat will empower fixation and capacity to focus. Making the keys on the console littler and the mouse littler will improve fine engine control. Incapacities: Those with emotional well-being issues, for example, melancholy, nervousness, bipolar turmoil, and character issue would profit by this movement by improving social aptitudes and having somebody they can converse with. Those with strokes, MS, mental imbalance, and rheumatoid joint pain would profit by this action which would improve social, subjective, and fine engine control aptitudes. Objective: Within the OT treatment meeting, the patient will have the option to type 100 words inside 10 minutes. Propensities: This movement can impact propensities byà Environmental Aspects: Sending an E-mail can impact social setting in light of the fact that for most it is entirely expected to utilize the PC and is the America is starting to utilize the web for sending letters rather than the mail station. For individual setting, this action is primarily utilized by adolescents, grown-ups, and center adulthood. For Temporal setting, this action impacts it since cards, for example, occasion cards, compassion cards, wedding solicitations, and birthday cards are being sent through email. This movement impacts virtual setting since it is utilizing the web. It impacts social setting since it is a fast and simple approach to trade data.
Saturday, August 8, 2020
NOVA Labs on Khan Academy a brand-new way to explore science
NOVA Labs on Khan Academy a brand-new way to explore science Have you ever wondered what causes solar flares or how clouds form? Do you have questions about computer viruses and hacking? Or are you curious about RNA, the wonder molecule thatâs crucial to life as we know it? Starting today, you can explore these topics on Khan Academy through lessons created by our partners at NOVA Labs.NOVA Labs (pbs.org/nova/labs) is a free science resource from the producers of the NOVA television series on PBS, the most popular science series on American television. Through NOVA Labs, teens and lifelong learners take part in real-world investigations by visualizing, analyzing, and playing with the same data that scientists use. These games and activities foster authentic scientific exploration, supported by the world-class science videos that NOVA has been making for over 40 years. Khan Academy is now excited to offer five different investigations from NOVA Labs for aspiring scientists: Cybersecurity, RNA: the wonder molecule, The Sun and solar st orms, Energy, and Clouds. Youâll learn to predict solar storms, design renewable energy systems, track cloud movements, design biomolecules and more. Start exploring today, and let us know what you think in the comments below.
Tuesday, June 23, 2020
Women as Performers - Literature Essay Samples
In George Eliots Daniel Deronda, a theme of subjugation through observation becomes a unifying tie between Jews and women, two primary categories of characters in the novel. Eliots female characters provide a complex commentary on the performance demanded of women in their public lives, a quality of society that exceeds boundaries of race and religion. The direct use of acting and singing as career choices for the Jewish women illuminates this idea, and inspires a natural comparison with the behavior expected of women in English culture. In 1876, when the book was published, critics and public alike were scandalized by Eliots attempt to draw the Jewish element (including these female performers) into fine English literature. Eliots critique on her society is clear in the novels attempt to consider the Jewish woman beyond the stereotypical role of performer. In fact, the role of professional actress begins to defend itself. As an art form, it is an honest level of posing, as opposed to the false premises of the married life offered to English ladies. In its language, and mode of description, the novel manages to make even more unique conclusions about these two groups. Essentially, Eliot shows us English wives petrified into statues, disillusioned by a world that demands a public stance. Meanwhile, the Jewish characters display the very ability to act their emotions when they are off the stage that is demanded of the English women in their relationships. The relationship between authenticity and performance varies in the wide range of female characters, relying constantly on the ability to submit to circumstance, to embrace reality, to succumb to societys unequal terms.The choice to make three of the most important female characters performers of a sort is certainly a significant one. Eliot is insisting her readers keep the role of performer in their minds when considering the lives of women, across the barriers of culture or race. Derondas Jewish mother, the A lcharisi, turns out to be a retired singer, once quite famous. And Mirah was brought up by her father for the stage. Gwendolen is a step away from these two in that she desires to become an actress but chooses marriage instead, facing this new life as a role to play. The continual presence of this performance theme is extremely important, as it draws our attention to the similarities between drawing room politesse and the nature of the theater. But there are not only parallels between these two worlds. There is a clear differentiation buried deep within the descriptions of Gwendolen and Mrs. Glasher, a quality not included in presentations of Alcharisi or Mirah. Both of these English characters become petrified by tragedy and hardship, rather than enlightened by it. They bristle when forced to submit, using performance to mask their true emotions and hardening stone representations of their own failures. Where Mirahs posing is infused with natural talent, Gwendolens seems full of st ony determination. These subtle contrasts help to set up the discrepancy at the heart of Eliots critique: Trained performance in the public gaze and professional performance on a stage have objectification in common, but acting for money and acting for social leverage are not the same thing.Gwendolen defines herself as a statue figure as much as Eliot defines her as such. Gail Marshall suggests that Gwendolen is from the start engrossed in, and enclosed by, her desire to be seen, a desire that makes her willingly transform into an object for perusal. From the very opening of the novel, in the famous gambling scene, we are introduced to Gwendolyn through Derondas eyes. The first lines of the book are Derondas first impression of her (although we do not know this until the second paragraph). This choice for an entrance into Gwendolens story certainly fixes her in the gaze of others. Derondas response seems to mimic ones reaction to a work of art, in the sense that heightened aestheti c quality inspires deep thought, and naturally begs personal judgement of its viewers: Was she beautiful or not beautiful? And what was the secret of form or expression which gave the dynamic quality to her glance? Was the good or the evil genius dominant in those beams? Probably the evil; else why was the effect that of unrest rather than of undisturbed charm? Why was the wish to look again felt as coercion and not as a longing in which the whole being consents?. Before we even know her name, Gwendolen is frozen in time, her physical presence an inspiring object for a mans gaze. As far as the reader knows, these questions could be inspired by a captivating painting or sculpture of a woman, since it is not specified that what is being regarded is a human being. The beams of her eyes are seemingly static enough to be steadily considered, weighed in the concrete terms of good and evil. And descriptions like the secret of form, gave the dynamic quality, and the wish to look again, hint at a desired effect, carefully and expertly crafted by art. The moral quality of the questions, in contrasting good or evil genius, sets up a kind of paradoxical state. Although the language insists on an inner depth in question, Eliot proceeds to prove that they are merely interrogating the surface. The question is not is she? but how does she seem?, and the male gaze is thus fixed in this aesthetic sphere, despite its lofty intentions.The gambling scene, which lingers as an important memory throughout the narrative, continues to set Gwendolen up as a statuesque figure. Eliot also shows us how willingly, even purposely she occupies this role. The second paragraph supplies the reader with crucial twists to the ambiguous opening questions, while securing the authority of Derondas gaze by further describing through it. Eliot tells us who is looking and what exactly the object is by beginning, She who raised these questions in Daniel Derondas mind was occupied in gambling: not in the open air under a southern sky, tossing coppers on a ruined wall, with rags about her limbs; but in one of those splendid resorts which the enlightenment of ages has prepared for the same species of pleasure at heavy cost of gilt mouldings, dark-toned colour and chubby nudities (DD, 7). Note that we learn the name of the male observer, but the person in question remains the ambiguous she. In fact, Eliot will continue to lead the reader through Derondas long careful scrutiny of Gwendolens person, and she will even consider his presence (DD, 7-10) before Eliot supplies the name Gwendolen. This naming decision not only aligns the readers gaze with Derondas, but, like introductions at a party, tells us who it is more important to respect and know as an equal. The placement of agency in she who raised these questions implies the intent to cause questioning on her part, as though that is her inevitable function in his presence. Eliot goes further, showing us just how Gwendolen fails in pre senting herself by hinting at where she truly belongs, with the mention of where she could be. Her being brings to Derondas mind the image of a beggar girl, and shows us how her pose has failed. The skeptical tone of heavy cost of gilt mouldings, along with the choice of dark-toned and chubby nudities, especially next to the open air of the girl in rags, suggests a self-conscious attempt at masking the truth. The aesthetic is thus failing on two levels in this moment. The space itself is lying about its own purpose, with its shoddy attempt to wear a clunky costume of gilt and generic art. On top of this, is a woman who is not what she tries to appear, and uses performance (unsuccessfully) to try and cover the truth about herself and her situation.Gwendolens inability to play her ideal part is revealed in a series of disappointments, just as it will be in her consciousness over the course of the narrative. Her excessive self-awareness in posing, an awkward element that will later sep arate her from Mirah, is betrayed by both Derondas conclusions and her own apprehensions. She is not immediately recognizable as artificial like the space around her, but as alive and vibrant as she intends. In fact, Deronda initially chooses to stare at this creature because she seems to contain more motion than her tableau-like surroundings. After his eyes scan over the gambling crowd in this scene of dull, gas-poisoned absorption, he pauses on Gwendolen because he suddenly [feels] the moment become dramatic (DD, 9). He watches her win, the reader following his every perception, until suddenly she turns to meet his gaze. The effect of his regard overpowers her own agency: her eyes met Derondas, and instead of averting them as she would have desired to do, she was unpleasantly conscious that they were arrested how long? (DD, 10). It is clear that Gwendolen is not only affected, but even controlled by Derondas gaze. He is staring, so she must stare back. Here, the creature that sto od out as dramatic has been frozen by the male gaze. She betrays a deep awareness of her artifice in her (correct) conclusion about this gaze. The darting sense that he was measuring her and looking down on her as an inferior, that he was of different quality from the human dross around her, that he felt himself in a region outside and above her, and was examining her as a specimen of a lower order, roused a tingling resentment which stretched the moment with conflict (DD, 10). The reader is thus warned early on that Gwendolyn struggles in her acting, as she is acutely aware of her failure. By revealing her immediate self-doubt when subjected to a penetrating gaze, the novel is beginning the process of differentiating between what she is and what she wants to be. Her statuesque quality enters her, as Eliot turns her to marble before his eyes. This moment [does] not bring the blood to her cheeks, but [sends] it away from her lipswithout other sign of emotion than this lip-paleness tu rned to her play (DD, 10). She becomes white, like a real statue, and tries to show as little emotion as possible, deciding to go on playing as if she were indifferent to loss or gain (DD, 11). Not only does Gwendolen freeze under this gaze, but she loses because she is so utterly aware of it and determined to conquer it, mistaking her self-objectification for defiance.Eliots careful differentiation between the authentic self and the performed self becomes a critique because it expands to include other female characters. This characteristic of deliberate self-objectification is hardly specific to Gwendolen Harleth. It appears quite obviously in scenes with Mrs.Glasher, who is tragically frozen in time and space by a deliberately malicious Grandcourt. She personifies Gail Marshalls notion that sculpture can be both time-defying and time-bound. It presents an image which can persist as long as its concrete form endures, in defiance of the transience of sculptor and condemned perpetual ly to repeat that same moment. Lydia Glasher is frozen in Grandcourts false promise of eventual marriage and therefore inheritance for their son. The scene in her home certainly contains a sense of condemnation she is basically imprisoned in a moment of hopeful patience, and Eliot carefully shows her trapped in this emotion. When Grandcourt arrives, she is seated in the pleasant room where she habitually passed her mornings with her children round her. It had a square projecting window and looked on broad gravel and grass, sloping towards a little brook that entered the pool (DD, 343). The symmetrical placement of Lydia in a circle (specified by round) of children, then framed by a square that contains a quaint little background, is certainly just like a painting or pose-plastique that is waiting for his entrance. Almost as actors on stage, the proscenium effect suggested by the projecting aspect of the window, these carefully placed characters will remain here, only moving a litt le to suggest reality: The children were all there. The three girls, seated round their mother near the window, were miniature portraits of her dark-eyed, delicate-featured brunettes with a rich bloom on their cheeks, their little nostrils and eyebrows singularly finished as if they were tiny women, the eldest being barely nine. The boy was seated on the carpet at some distance, bending his blond head over the animals from a Noahs arkJosephine, the eldest, was having her French lesson; and the others, with their dolls on their laps, sat demurely enough for images of the Madonna (DD, 343-344). Here, the children are either small statues of their mother, or posed images one recognizes from classical paintings. This is a recognizable tableau scene of quiet domesticity, symmetrical and visually cohesive.The tableau effect created by Mrs. Glasher becomes dramatic, or alive, only when Grandcourt enters. The scene is entirely dependent on his gaze, a symbol of the power he has in choosing whether or not to come at all, to contain the tragic potential it intends. As readers, we know he stands on the threshold, and the dramatic effect of a scene about to occur is skillfully achieved. The sense of condemnation, of the statues imprisonment in time is not only suggested by Grandcourts opposing freedom of decision. It is also quite apparent in Lydias pitiful, purposeful preparation for this exact moment: Mrs. Glashers toilet had been made very carefully each day now she said to herself that Grandcourt might come in. Her head, which, spite of emancipation, had an ineffaceable beauty in the fine profile, crisp curves of hair, and clearly-marked eyebrows, rose impressively about her bronze-coloured silk and velvet, and the gold necklace which Grandcourt had first clasped round her neck years ago (DD, 344). Here we have a woman who puts on her costume every morning, her stage makeup, or mask for this one particular scene. She has spent more time frozen, waiting, than she wil l spend alive, acting it out. Again, Eliot clues us into the statue metaphor by dropping linguistic clues throughout the passage. The words ineffaceable, crisp, and clearly-marked all suggest the presence of careful and hardened art. Even her clothing, described as bronze, brings to mind a material traditionally used in sculpture. She is more a symbol of her own fossilization than an actual human being, carefully crafted down to the tiny detail of her necklace. There is a dark cynicism in Eliots inclusion of spite of emancipation, which hints that Lydia is fighting something inevitable, and bigger than she is. The reader is to take note that circumstance has changed, but she has not. This only solidifies the sense that a horrible, stagnant quality defines her life. She is beautiful in defiance, but tragically fighting in another cycle of powerlessness. However powerful her crafted presence may be, it is utterly reliant on Grandcourt. His gaze, and only his gaze, will decide whether her being will occupy a statue or a human life.Without ever saying it explicitly, Eliot shows us the horrible Medusa effect that Grandcourt has on both of the women in his life. Gwendolen will also be frozen in a moment, condemned to repeat its expression forever (or at least until she is released from the marriage, which is a period largely outside of the scope of the novel). This moment is her wedding night, when Lydia exerts her haunting power over Gwendolen, and petrifies the new Mrs. Grandcourt in self-hatred through guilt. Eliot draws strong parallels between their two situations. The presence of significant necklaces is hardly hidden Lydia wears her gold one, while discussing the diamond one, which is the very object that she will use as a symbolic yoke on Gwendolens emotional freedom. The diamond necklace will be a crucial detail in the statuesque figure of Mrs. Grandcourt that Gwendolen is to become, the history of Lydia Glasher thus injected into this role. The language o f the scene again presents the notion of a statue, connecting the two women through this pose. This doubling shows us a shared fate among the novels English women, silently waiting to be destroyed by their lifes inevitable disappointments. Gwendolen makes small movements between tragic poses, moving from one depiction of despair to another.It seemed at first as if Gwendolens eyes were spell-bound in reading the horrible words of the letter over and over again as a doom of penance; but suddenly a new spasm of terror made her lean forward and stretch out the paper towards the fire, lest accusation and proof at once should meet all eyes. It flew like a feather from her trembling fingers and was caught up in the great draught of flame. In her movement the casket fell on the floor and the diamonds rolled out. She took no notice, but fell back in her chair again helpless. She could not see the reflections of herself then: they were like so many women petrified white; but coming near herse lf you might have seen the tremor in her lips and hands. She sat so for a long while, knowing little more than that she was feeling ill, and that those written words kept repeating themselves in her. (DD, 359)Finally, Gwendolen can submit to the moment. She releases all power as the paper, the diamonds, and even the repeating words, move more than she does. She only leans and trembles, trying to gain her balance in the pose that will occupy the rest of her married life. This is truly an expository moment in the novel. Gwendolen teeters on the edge of her own ideal in a flawless, poignant aesthetic composition that reflects great drama with little movement. She is a fluid part of a perfectly placed tableau; The letter burns in the fire, she succumbs to the moment with no pretension, and the diamonds that represent her ideal life roll away from her symbolically. Eliot makes this allusion very clear, with the so many women petrified white, reminding us that Gwendolen inhabits a collect ive identity in her suspended tragedy, thus aligning herself with the Lydia Glashers of the world. This is also a place void of any gaze, even introspection, as we are reminded that she took no notice, and could not see the reflections of herself. This momentary achievement will be disrupted, and therefore essentially controlled by Grandcourt once again. Gwendolen cannot maintain aesthetic perfection in the demand of the male gaze. She is no longer reified in statuesque tragedy, as he enters to find her pallid, shrieking as it seemed with terror, the jewels scattered around her on the floor (DD, 359). Gwendolen is finally stripped of her presumed power, unable to create a solid posture for this situation. Eliot has now led the reader to the very cusp of Gwendolens success, the near achievement of her ideal, and let it crash upon the floor.The novel is comprehensive in considering the nature of performance in all of its female characters. Gwendolens inability to adequately perform is not only highlighted through comparison with the Jewish women, but subject to the critique of their relative success. Eliot places Mirah and Alcharisi in similar situations, where their style of performance is far removed from the static postures assumed by Lydia and Gwendolen. When Deronda first sees Mirah attempting suicide by the river, she is absolutely frozen, yet another female subject to his discerning gaze. As he is rowing and singing, Derondaturn[s] his head to the river-side, and [sees] at a few yards distance from him a figure which might have been an impersonation of the misery he was unconsciously giving voice to: a girl hardly more than eighteen, of low slim figure, with most delicate little face, her dark curls pushed behind her ears under a large black hat, a long woolen cloak over her shoulders. Her hands were hanging down clasped before her, and her eyes were fixed on the river with a look of immovable, statue-like despair (DD, 187). The authority of his gaze is a gain secured here, as his misery is projected onto her being before we are told what she actually looks like. And here, Eliot directly uses the statue metaphor and once again introduces to a woman through the eyes of her male protagonist as opposed to her own, the female author. Like the theatrical effect of the Glashers waiting on stage, or Gwendolen with the diamonds, for the entrance of Grandcourt, there is the sense that Mirah is frozen here, waiting to be activated by the arrival of the male gaze. However, she is not posing to achieve something, but rather effectively inhabiting her own emotional state.In examining the shifting relationship of authenticity and performance, Eliot is considering more than effectiveness of performance. In the same way that Gwendolens statuesque subservience is clarified by the presence of an extreme version (in Lydia Glasher), Alcharisi serves to illuminate the nature of Mirahs abilities. Eliot is providing a brief glimpse of a character even bey ond Mirah in performance. The Alcharisi shows us a state where the connection between emotions and acting has become seamless. The nature of her scene of course helps to draw the parallel, in its basic setup: she will also be described for the first time through Derondas gaze, in an apprehensive posture awaiting his arrival to begin her role. Deronda enters and [finds] himself in the presence of a figure which at the other end of the large room stood awaiting his approach, (DD, 624) in yet another moment when we wait poised for his first reaction, which objectifies her right away. Deronda sees that She was covered, except as to her face and part of her arms, with black lace hanging loosely from the summit of her whitening hair to the long train stretching from her tall figure (DD, 624). The language here has subtle implications, not nearly as explicit as the tableau effect described in scenes involving the English women: Eliot calls her a figure twice, as opposed to a more living t erm such as woman, person, or being. She is not wearing clothes, but rather covered, like furniture in a dusty room. Even her pose is perfectly suited to the scene she is prepared to act out, the great finale, the family reunion: Her arms, naked from the elbow, except for some rich bracelets, were folded before her, and the fine poise of her head made it look handsomer than it really was (DD, 624). She stands ready to receive his reaction. She is simultaneously proud and tragic, beautiful and old, royal yet broken. The variety of effect is much wider, with more nuances than what is achieved by Gwendolen and Lydias simplistic posing. The scene between Deronda and his mother continues to be stilted and slow, somewhere between the statuesque and the dramatic. The authentic quality of her emotions is enhanced by a level of truth and submission. This utter lack of defiance, and the effectiveness it achieves, call to mind Mirahs honest posture, proving their similarity in the mind of the author.Eliot continues to connect Mirah and Alcharisi, the two Jewish women, by imbuing them with an honesty of performance that remains absent elsewhere. The fluidity of Alchirisis manner does not exist in Gwendolens posing, or Mrs.Glashers obvious intention of effect. Although she barely moves in her scene, the theatrical nature of her behavior (as opposed to the frozen, tableau effect) is referred to constantly. Eliot describes her mode of explication, after Alcharisi has calmly told Deronda her life story and admitted the pain she has caused him and herself, having barely batted an eyelash: The varied transitions of tone with which this speech was delivered were as perfect as the most accomplished actress could have made them. The speech was in fact a piece of what may be called sincere acting: this womans nature was one in which all feeling and all the more when it was tragic as well as real immediately became matter of conscious representation: experience immediately passed into drama, and she acted her own emotions (DD, 629). The immediacy of representation here has a vibrancy that sets it apart from Gwendolens more convoluted efforts. Mirah, on the other hand, achieves this same unintentional art in the eyes of Deronda. Mirah can become the living statue with none of Gwendolens labor or struggle. Like Alcharisi, she seems always to be playing herself. When she is happy, her aesthetic presentation perfectly reflects it: The dainty neatness of her hair and dress, the glow of tranquil happiness in a face where a painter need have changed nothing if he had wanted to put it in front of the host singing ÃÅ'peace on earth and goodwill to men,' (DD, 369). This frank admittance of her interior state is somehow communicated but without pretense or art. Mirah and Alchirisi also do not perform to mask their feelings, but rather to expertly express them. Gwendolen is more often seen acting to hide or repress her instincts. Although both roles require performance , these details distinctly separate them as very different.There could be a strong connection between the motives for acting and the relative level of success. Since both Lydia and Gwendolen are fighting their feelings, and both betray a more obvious effort, their frozen aspect may be due to heightened difficulty. The struggle to repress seems to demand more effort than a simple expression of truth. In Gwendolen, Eliot certainly depicts more effort in performance than one senses in either of these characters. In the gambling scene she had to actively try (with difficulty), whether she was to win or lose, to do it strikingly (DD, 11). During Grandcourts proposal to her, we are acutely aware of just how hard she had to concentrate all her energy in that self-control which made her appear gravely gracious as she gave her hand to him, setting the scene so meticulously that any one seeing them as a picture would have concluded that they were in some stage of love-making suspense (DD, 299 ). We are reminded constantly of Gwendolens intentional posing and her awareness of difficulty involved. According to Gail Marshalls assessment of the statuesque, this intense concentration could distract Gwendolen enough to cripple the outcome of her efforts. Marshall claims that The statuesque may be approved on an initial register of visual appreciation, but too great an emphasis on spectacle militates against the absorption of both moment and actress into the plays disrupted narrative. Gwendolen is too busy acting the part to understand its context. Her poses freeze and trap her within her own narrative. The existence of this awareness is absent in the characters who seamlessly exude their inner selves. Where Gwendolen, with all that gnawing trouble in her consciousnesshardly for a moment drop[s] the sense that it was her part to bear herself with dignity, and appear what is called happy, (DD, 425) Mirah is never visibly conscious of such an obligation. She places barely any em phasis on her own role as sculpture but, or therefore, seems to naturally occupy it. Eliot shows us again and again that Mirahs poses are supposedly unintentional, although entirely effective. She directly tells us this, when Mirah inspires in Deronda a sense that it would be impossible to see a creature freer at once from embarrassment and boldness. Her theatrical training had left no recognizable trace; probably her manners had not much changed since she played the forsaken child at nine years of age; and she had grown up in her simplicity and truthfulness like a little flower-seed that absorbs the chance confusion of its surroundings into its own definite mould of beauty (DD, 225). It is interesting that to betray affectation, one must be trained in that very art. When Mirah is suicidal, she appears artistically so, just as when she is happy she appears a perfect picture of happiness.An acceptance of reality, or at least a consciousness that is not too self-absorbed to perceive i t, is an element that manifests itself differently in the four women. No matter what the motive is, any form of denial tends to cripple a performance. On Eliots proposed spectrum of authentic performance, the woman who submits succeeds. There is also an element of submission in Mirah and Alcharisis authenticity that is distinctly not a personality trait found in Gwendolen or Lydia. Unlike Gwendolyn, Mirah freezes in pitiful despair as opposed to fiery defiance. She also willingly submits to the reality or her situation, however cruel it may be, in such moments. This pliant submission stands precisely opposite the sort of reaction seen in Gwendolen, when facing difficult situations. Both of the English women are presented as stubborn, often proud characters who are struggling against something. Mirahs cooperative tenderness, among other crucial qualities, softens her enough to let the hardness of the statues seen in the other women dissolve into a more fluid performance. She is more the actress than the statue: Still defined by the exterior gaze, but alive in her fixed place, and embracing the mannerisms and not simply the expression of this position.It seems that Eliot believes that only by embracing the inevitability of her lesser position that a woman can obtain any freedom of movement at all. A comparison of Lydia, Gwendolen, Alcharisi, and Mirah perfectly outlines the effect of any attempt for freedom on the part of women. In that order, they are each subsequently less frozen, and less defiant. Lydia actively tries to hold power over Grandcourt, in the existence of their son. Gwendolen has been adequately proven as a defiant creature, determined to be free above all (she marries Grandcourt because she refuses to work, which would make her subject to someone else). Alcharisi, like Gwendolyn, seeks only freedom through power in her relationships with men. She tells Deronda that she married because it was My best way of getting some freedom. I could rule my husband, but not my father. I had a right to be free. I had a right to seek my freedom from a bondage that I hated (DD, 627). Mirahs personality is the on the other end of this spectrum from Lydias horrible frozen existence. Mrs. Meyrick explains that It is not her nature to run into planning and devising: only to submit. See how she submitted to that father! It was a wonder to herself how she found the will and contrivance to run away from him. About finding her mother, her only notion now is to trust: since you were sent to save her and we are good to her, she trusts that her mother will be found in the same unsought way (DD, 224).The difference between the statue and the actress is at its most basic level, that of life. The statue is basically an actor, frozen in their roles most poignant and expressive state. This question of life can be seen as the crucial difference between these two sets of women. If life is seen as an ability to flourish in ones setting, to find happiness and love, Mirah and Alcharisi certainly live more. The question of submission to circumstance, no matter how difficult, enters again. Lydia and Gwendolen are essentially dead because they refuse to embrace reality. Life becomes the charade they have attempted to create, rather than the series of circumstances that fate has created for them. This is a choice that they make. Gwendolyn disregards Lydias existence, but quickly learns that she cannot simply eradicate her presence. And Lydia refuses to accept Grandcourts character, wasting years of love and hope on someone who is essentially cruel. They try to use art to manipulate the world, rather than allowing the world to manipulate them. And the world is something much bigger, and stronger, than they are. By trying to turn the tables in this manner, their art becomes too apparent to be successful. Henry James wrote a unique review of Daniel Deronda, in which three characters (a dissenter, a fan, and a neutral figure who argues both sides) discuss the book. The neutral figure, in defending the book, proclaims In life without art you can find your account; but art without life is a poor affair. This is precisely what is so pitiful about Gwendolens art, her self-fashioning and posing for society. It denies what is truly her life: that of an independent spirit who cannot stand to be tied down by anyones rules, least of all a shallow, boring man. This discrepancy between surface and interior, between art and life, is Gwendolens greatest failure in her performance-based society. This conflict is the force behind the entire cycle of her failure: It sparks the obsession with performance and the struggle in adequately performing. It involves her so much that she loses touch with reality. The defiance and pride that the reader comes to identify with her are shoved down in this struggle. They are too well hidden to resurface when she is acting, and thus she becomes an empty shell, a lonely creature with no substance.The question of Jewish versus English is not necessarily answered by discussions of submission and effort. One could argue that this is present in the Jewish women because both of these characters are trained for the stage. This performative quality certainly sets them apart from Gwendolen, but not necessarily in a way that is intentional. The fact that both of the Jewish characters in the book play their scenes perfectly, like polished marionettes, could certainly betray a certain distance on Eliots part. One can not expect her to entirely comprehend a culture so separate from her realm of experience. She can identify with Gwendolens deepest sentiments and specific circumstances. Conversely, the Jewish culture is something foreign to her, far enough away from her own life to prohibit a truly deep understanding of its subjects. Several critics have attacked Eliots treatment of her Jewish characters as artificial when compared to the utterly realistic and complete Gwendolen Harleth. In his biography, Neil Roberts argues that Deronda himself is the best example of this narrative discrepancy. He argues that Eliot creates a kind of repulsion to these unfamiliar characters by her abstractness of analysis which suggests that the authors imagination does not spontaneously conceive of the character in particular situations. James Conversation includes intense discussion of this exact weakness. Pulcheria is the character who hates the book, and at one point alludes to the detachment in question, when she complains (of the Jewish characters) I dont see what you mean by saying you have been near those people; that is just what one is not. They produce no illusion. They are described and analyzed to death, but we dont see them or hear them or touch them. Deronda clutches his coat-collar, Mirah crosses her feet, and Mordecai talks like the Bible; but that doesnt make real figures of them. They have no existence outside of the authors study. It is quite possible that Mirah and Alcharisi act better because in Eliots eyes, they are only acting. Just as Gwendolen and Lydia portray more substantial struggles because they are alive in Eliots mind. The Jewish women have perfect, functioning surfaces because they do not have a developed interior. Without that aspect of struggle, the horrible surface/depth dilemma that traps Gwendolen, they obviously elude the same complex characterization.It is intriguing to find that this lifelike quality is found more in the characters that are generally perceived as less real. Gwendolen is indeed the more convincing character, a creature who is exposed through action as opposed to analysis. Perhaps the realness of Gwendolen Harleth is most dynamic in the very struggle that cripples her performance. Therefore, Eliots commentary on submission is a frank exposition of the struggles of a woman in her society. The characters who are more than an obviously artificial creation of the artists imagination, the women who jump off t he page and face actuality, will serve to critique the obligation to perform at all through their inevitable failures. Despite her well-meaning motives in depicting Jewish women, Eliots intentions are not directly realized in her text. Instead, the very inability to develop these characters intensifies the narrative. Whether purposeful or not, Eliots minor inadequacy provides an even more disconcerting and painful glimpse into the impossible expectations placed on women in their public life.
Saturday, May 23, 2020
The Kindness of Strangers Research Paper - 874 Words
In the article ââ¬Å"The Kindness Of Strangersâ⬠, the author, Levine (2006/2007) writes of the helpfulness of strangers. He does extensive research and also performs experiments. He found that in some places of the world people were more likely to help people they do not know than in other places. He explains that environment, socialization, and economics affects how willing people are to help. Levine (2006/2007) uses economics the most through his article. He does this, because experiments showed that people who are poor are more than likely going to help someone in need. The reason for poorer communities being more helpful is because, to them social interactions are more important then their own achievements. Usually they arenââ¬â¢t veryâ⬠¦show more contentâ⬠¦He has never forgiven New York for that. He shows it by not giving New Yorkers credit for the dropped pen experiment because they yelled to him that he dropped then pen. His opinion is that its not a kind way of doing it. Of course in New York, most would go with the safe way, and still be as helpful as they can be. Another biased I noticed was the fact that he made excuses for people in other cities around the world not making change for a quarter. For whatever reasons they were he deemed them acceptable and took out those experiments. The same way New Yorkers have their reason for helping in certain ways like yelling to someone, it should be deemed acceptable as well. One research method used by Levine (2006/2007) is experimental. He went with his students all over the world to perform experiments like dropping a pen or faking an injury to see how much help he would receive. Experimental research specifies relationships between variables and generates quantitative data Macionis (2006/2007). Works Cited: Levine, L. (2006/2007). The Kindness Of Strangers. In K. Finsterbusch (Thirty-Fufth Edition), Annual Editions: Sociology (pp.10-18). Dubuque, IA: McGraw-Hill. (Reprinted from American Scientist, May/June 2003) Macionis, J. Society the basics. Ninth Edition. Upper Saddle River, NJ: Prentice Hall.Show MoreRelatedEssay 3 Ourselves and Others 907 Words à |à 4 Pagesvarious modes of development, including argument and cause and effect. Be sure you address both the positive and the negative aspects in your argument. Use a summary of and quotation from the reading. Other research can be done to supplement your final draft, but be sure to include additional research in a works cited page. 2. In Virginia Postrelââ¬â¢s essay ââ¬Å"Need Transplant Donors? Pay Themâ⬠(555) Postrel argues that the transplant system is broken in this country, though there are solutions. After readingRead MoreThe Physics Of The Science Field938 Words à |à 4 PagesThe science field is always adapting and changing, as more research is executed and published. So it makes sense that editors of scientific journals should be very particular when deciding what to publish. 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Monday, May 18, 2020
The Progressive Era Of World War I - 2283 Words
The Progressive Era began in 1890 and came to a close around the end of World War I in 1919. As the name suggests, it was an era of modernization and change for Americans. ââ¬Å"America was growing, expanding, booming, and providing opportunities to join forces with industrialism and commerce and to grow along with the countryâ⬠(Anderson, David 6). However, the rapid speed of population growth in cities magnified problems of poverty, disease, violence, and corruption. With an increase in jobs, competition also arose amongst citizens who believed that ââ¬Å"both wealth and happiness [would] inevitably come to the moral and industriousâ⬠(White 1). Despite being characterized by reform, urbanization, and industrialism, the Progressive Era saw the loss of individualism; workers struggled for autonomy, skilled craftsmen were replaced, and mass culture eclipsed small, intimate towns, showing that in order to move forward, there needed to be a step back. Once people began to allow others to manage their work days, they gave up the ability to control a large part of their life. Many Progressives believed that in order to modernize the country, America needed to stop thinking with concern for the individual and start thinking with regard for the system. In his ââ¬Å"What is Progress?â⬠speech, Woodrow Wilson stated that ââ¬Å"Our laws are still meant for business done by individuals; they have not been satisfactorily adjusted to business done by great combinations, and we have got to adjust them.â⬠TheShow MoreRelatedWorld War I and the Progressive Movement822 Words à |à 3 Pagesââ¬Å"World War I and the progressive movementâ⬠Through the course of American history, many great wars and battles have been fought but none have left a greater impact than World War I. World war I was known as the Great War, although Americaââ¬â¢s initial plan of action was to bring global peace. The tables unfortunately turned on them. 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Therefore, the Progressive era brought great social, political, and economic change by bettering the overall lives ofRead MoreU.S. History 1865 to 1945 Worksheet Essay1175 Words à |à 5 PagesU.S. History 1865 to 1945 Worksheet Matrices Using the information from your textbook and classroom discussion complete the following matrices. 1. Era of Reconstruction Matrix While completing the Matrix, contrast presidential reconstruction plans with congressional reconstruction. Note key people, major dates, policies, and outcomes for the New South. If necessary, additional rows may be added to the matrix. Plan Key People Dates Policies Outcomes Lincolnââ¬â¢s 10%Plan Abraham Lincoln AndrewRead MoreEssay on Boss713 Words à |à 3 PagesUSSO Development of the US and People Professor Kareen Williams MID-TERM amp; FINAL REVIEW PART I Study aid for the Essayââ¬â¢s on the Midterm Exam. 1. Discuss colonization in general, and explain why was England slow to begin colonization, and what factors finally enabled the English to establish successful colonies? 2. What was the relationship between early Virginia settlers and the Powhatan Indians, and how did Indian policies in the southern colonies eventually laid the basis for forcedRead MoreThe Effect of Amercan Wars on the Societal Views of Women965 Words à |à 4 PagesUnited States, and the wars that followed, the female population finally gained the confidence to voice their thoughts of their roles in society. The impact of the Revolutionary War, the Civil War, and the Progressive Era impacted the roles that women played in society in momentous ways because all three of these events were times of partial chaos with which came the more confident voices of women voicing their concerns about societyââ¬â¢s views of them. The Revolutionary War was a time when thoughts
Tuesday, May 12, 2020
Why Is the Ocean Salty Composition of Sea Water
Have you ever wondered why the ocean is salty? Have you wondered why lakes might not be salty? Heres a look at what makes the ocean salty and why other bodies of water have a different chemical composition. Key Takeaways: Why Is the Sea Salty? The oceans of the world have a fairly stable salinity of about 35 parts per thousand. The main salts include dissolved sodium chloride, magnesium sulfate, potassium nitrate, and sodium bicarbonate. In water, these are sodium, magnesium, and potassium cations, and chloride, sulfate, nitrate, and carbonate anions.The reason the sea is salty is because it is very old. Gases from volcanoes dissolved in the water, making it acidic. The acids dissolved minerals from lava, producing ions. More recently, ions from eroded rocks entered the ocean as rivers drained into the sea.While some lakes are very salty (high salinity), some do not taste salty because they contain low amounts of sodium and chloride (table salt) ions. Others are more dilute simply because the water drains toward the sea and is replaced by fresh rainwater or other precipitation. Why the Sea Is Salty Oceans have been around a very long time, so some of the salts were added to the water at a time when gases and lava were spewing from increased volcanic activity. The carbon dioxide dissolved in water from the atmosphere forms weak carbonic acid which dissolves minerals. When these minerals dissolve, they form ions, which make the water salty. While water evaporates from the ocean, the salt gets left behind. Also, rivers drain into the oceans, bringing in additional ions from rock that was eroded by rainwater and streams. The saltiness of the ocean, or its salinity, is fairly stable at about 35 parts per thousand. To give you a sense of how much salt that is, it is estimated that if you took all the salt out of the ocean and spread it over the land, the salt would form a layer more than 500 feet (166 m) deep. You might think the ocean would become increasingly salty over time, but part of the reason it does not is because many of the ions in the ocean are taken in by the organisms that live in the ocean. Another factor may be the formation of new minerals. Annual mean sea surface salinity from the 2009 World Ocean Atlas. Salinity is listed in practical salinity units (PSU). Plumbago Salinity of Lakes So, lakes get water from streams and rivers. Lakes are in contact with the ground. Why arent they salty? Well, some are! Think of the Great Salt Lake and the Dead Sea. Other lakes, such as the Great Lakes, are filled with water that contains many minerals, yet doesnt taste salty. Why is this? Partly it is because the water tastes salty if it contains sodium ions and chloride ions. If the minerals associated with a lake dont contain much sodium, the water wont be very salty. Another reason lakes tend not to be salty is because water often leaves lakes to continue its trip toward the sea. According to an article in Science Daily, a drop of water and its associated ions will remain in one of the Great Lakes for around 200 years. On the other hand, a water droplet and its salts may remain in the ocean for 100-200 million years. The most dilute lake in the world is Lae Notasha, located near the crest of the Oregon Cascade in Oregon, United States. Its conductivity ranges aboutà 1.3 to 1.6 uS cm-1, with bicarbonate as the dominant anion. While a forest surrounds the lake, the watershed appears not to significantly contribute to the ionic composition of the water. Because the water is so dilute, the lake is ideal for monitoring atmospheric contaminants. Sources Anati, D. A. (1999). The salinity of hypersaline brines: concepts and misconceptions. Int. J. Salt Lake. Res. 8: 55ââ¬â70. doi:10.1007/bf02442137Eilers, J. M.; Sullivan, T. J.; Hurley, K. C. (1990). The most dilute lake in the world?. Hydrobiologia. 199: 1ââ¬â6. doi:10.1007/BF00007827Millero, F. J. (1993). What is PSU?.à Oceanography.à 6à (3): 67.Pawlowicz, R. (2013). Key Physical Variables in the Ocean: Temperature, Salinity, and Density. Nature Education Knowledge. 4 (4): 13.Pawlowicz, R.; Feistel, R. (2012). Limnological applications of the Thermodynamic Equation of Seawater 2010 (TEOS-10). Limnology and Oceanography: Methods. 10 (11): 853ââ¬â867. doi:10.4319/lom.2012.10.853
Wednesday, May 6, 2020
Poverty Is A Social Problem - 2189 Words
Walking down the street in Missoula, Montana often brings you into contact with poverty. From the courthouse lawn to the sidewalks in front of the grocery stores there are many people who are homeless and begging for money and food. Living in this city for the majority of my life, I have been exposed to people in poverty everyday. This topic is of interest to me because I have worked with these people firsthand and seen their struggles within their lives. These people are often very warm-hearted and hard working but just cannot seem to get back on their feet. Many different organizations have been created to try and assist these individuals and families and help them to maintain a steady income, provide food for their family and achieve some level of financial stability. There are many different opinions of poverty that vary throughout the world but regardless of your personal ideas, the proportion of people who are in poverty is increasing at an uncomfortable rate. Poverty has become a social problem. With the changing nature of the governments, the power has shifted from being more representative to being controlled mostly by those who are at the top of the financial food chain. (Shah, 2014) Those who have the money to get elected to governmental positions receive spots in offices and those are the same people who have limited experience with people who are less fortunate. Therefore they tend to make decisions that give an advantage to those who are at the top of theShow MoreRelatedPoverty As A Social Problem796 Words à |à 4 PagesPoverty Name: Institutional affiliation: ââ¬Æ' Introduction Author Browning Cagney (2003), defines poverty as a state of inadequate resources and low living standards that cannot cater to basic human requirements. Poverty thus means lack of basic needs such as food, clothing, health institutes, and shelter. For most countries around the world, poverty is a prevalent social issue. It usually leads to multiple social ills like parental and domestic abuse, drug abuse, diseases, and corruption among manyRead MorePoverty As A Social Problem1739 Words à |à 7 Pages Poverty as a Social Problem Magdalena Brania Mrs. Kropf May 27, 2015 Poverty is inscribed in the history of the world, but it is not inherent fate of every human being. It is also not related to the human nature, which does not mean that it can not be due to its nature. All communities experience it, with a greater or lesser extent way causing psychological and sociological conflicts. Society who have to deal with poverty is not only from undeveloped countries, but also developedRead MoreThe Social Problem Of Poverty1173 Words à |à 5 PagesNowadays, one of the most important associated topic in peopleââ¬â¢s live is poverty. The definition of poverty is a social condition where individuals do not have financial means to meet the most fundamental standards of the life is a acceptable by the community. Individuals experiencing poverty do not have the means to pay for basic needs of daily life like food, clothes and shelter. According to Lansley, (365) ââ¬Å"Poverty is humiliation, the sense of being dependent on them, and of being forced to accep tRead MorePoverty Is A Social Problem957 Words à |à 4 PagesStates is the wealthiest nation in the world, but yet poverty remains prevalent. Childhood poverty affects every aspect of their life. ââ¬Å"Poverty is not having income for basic needs, food, medical care or basic needs and housingâ⬠(Crosson-Tower, 2014, p. 59). Poverty is affecting thousands of Americans every day, and it isn t sparing anyone of a particular race, age or gender, leaving people on welfare, and without homes, or transportation. Poverty is a crisis that deserves attention from everyone,Read MoreThe Social Problem Of Poverty1347 Words à |à 6 PagesThe social problem is poverty, a risk factor that predisposes disadvantaged groups to incarceration. Data shows that the incarcerated majority are minority groups like African Americans and Latinos. In todayââ¬â¢s society, one can argue that both the state and people tend to place the blame solely on the individual. The poor are often stigmatized, as sociating them with an undesirable stereotype that reduces their value as an individual. Furthermore, people tend to think that those in poverty engage inRead MoreSociology : The Social Problem Of Poverty1251 Words à |à 6 Pagespublic issues of social structure. Mills also believed that without a sociological imagination, individualistic bias makes people think that individuals are the source of trouble, when some of the worst problems are caused by social forces. You could use a sociological imagination to examine the social problem of poverty by looking at the social forces that are relevant to the problem. Poverty is a social problem rather than an individual problem because it is a deeply embedded social issue that permeatesRead MorePoverty As A Contemporary Social Problem Essay1704 Words à |à 7 PagesPoverty as a Contemporary Social Problem A social problem, is ââ¬Å"a general factor that effects and damages societyâ⬠. It can be used to describe an issue or a problem within a certain group of people or an area in the world. Examples of contemporary social problems today include anti-social behaviour, drug abuse, and sexual abuse. Poverty is an example of a social problem that exists all over the world, and to different extents. In the UK, poverty has effected at least a third of the population, asRead MoreThe Current Social Problem Of Poverty Essay1368 Words à |à 6 Pagesgoing to discuss poverty a current social problem that I chose to focus on throughout this course. There are different factors such as economics, government, and culture that affect poverty. Poverty is not new to our communities and it impacts people of all ages. Poverty Poverty in our communities is getting worse and not enough is being done about this social problem. This is becoming more widespread especially during times of the global economic downturn. I learned that poverty is not having enoughRead MorePoverty : A Social Economical Problem868 Words à |à 4 PagesThe idea poverty as a social economical problem started way back during the Early Industrial Age. During the Industrial Age Edmund Burke was a man who searched a way to preserve the good in society and change the bad in society. He also as political expressed expression of objection to ââ¬Å"Labouring the poorâ⬠. Later poor laws reformed the expression in relief to the poor. Later in 19th century the poor laws were reformed to a Poor Law Amendment Act 1934. The act was ruthlessly enforced and was unpopularRead MorePoverty as a Social Problem in United States2135 Words à |à 9 PagesWhat is Poverty and why is it a social problem? Poverty is a standard of living below the mini mum needed for maintenance of adequate diet, health and shelter (Eitzen187). Thirty seven million Americans were reported poor in 2005 (Eitzen 187). The key word is reported because about another 30 million Americans are unreported since many are homeless or illegal immigrants. These millions of people are discriminated in schools, courts, job market, and marketplace. This discrimination has trapped many
A Game of Thrones Chapter Seven Free Essays
string(50) " The wolf pup loved her, even if no one else did\." Arya Aryaââ¬â¢s stitches were crooked again. She frowned down at them with dismay and glanced over to where her sister Sansa sat among the other girls. Sansaââ¬â¢s needlework was exquisite. We will write a custom essay sample on A Game of Thrones Chapter Seven or any similar topic only for you Order Now Everyone said so. ââ¬Å"Sansaââ¬â¢s work is as pretty as she is,â⬠Septa Mordane told their lady mother once. ââ¬Å"She has such fine, delicate hands.â⬠When Lady Catelyn had asked about Arya, the septa had sniffed. ââ¬Å"Arya has the hands of a blacksmith.â⬠Arya glanced furtively across the room, worried that Septa Mordane might have read her thoughts, but the septa was paying her no attention today. She was sitting with the Princess Myrcella, all smiles and admiration. It was not often that the septa was privileged to instruct a royal princess in the womanly arts, as she had said when the queen brought Myrcella to join them. Arya thought that Myrcellaââ¬â¢s stitches looked a little crooked too, but you would never know it from the way Septa Mordane was cooing. She studied her own work again, looking for some way to salvage it, then sighed and put down the needle. She looked glumly at her sister. Sansa was chatting away happily as she worked. Beth Cassel, Ser Rodrikââ¬â¢s little girl, was sitting by her feet, listening to every word she said, and Jeyne Poole was leaning over to whisper something in her ear. ââ¬Å"What are you talking about?â⬠Arya asked suddenly. Jeyne gave her a startled look, then giggled. Sansa looked abashed. Beth blushed. No one answered. ââ¬Å"Tell me,â⬠Arya said. Jeyne glanced over to make certain that Septa Mordane was not listening. Myrcella said something then, and the septa laughed along with the rest of the ladies. ââ¬Å"We were talking about the prince,â⬠Sansa said, her voice soft as a kiss. Arya knew which prince she meant: Jofftey, of course. The tall, handsome one. Sansa got to sit with him at the feast. Arya had to sit with the little fat one. Naturally. ââ¬Å"Joffrey likes your sister,â⬠Jeyne whispered, proud as if she had something to do with it. She was the daughter of Winterfellââ¬â¢s steward and Sansaââ¬â¢s dearest friend. ââ¬Å"He told her she was very beautiful.â⬠ââ¬Å"Heââ¬â¢s going to marry her,â⬠little Beth said dreamily, hugging herself. ââ¬Å"Then Sansa will be queen of all the realm.â⬠Sansa had the grace to blush. She blushed prettily. She did everything prettily, Arya thought with dull resentment. ââ¬Å"Beth, you shouldnââ¬â¢t make up stories,â⬠Sansa corrected the younger girl, gently stroking her hair to take the harshness out of her words. She looked at Arya. ââ¬Å"What did you think of Prince Joff, sister? Heââ¬â¢s very gallant, donââ¬â¢t you think?â⬠ââ¬Å"Jon says he looks like a girl,â⬠Arya said. Sansa sighed as she stitched. ââ¬Å"Poor Jon,â⬠she said. ââ¬Å"He gets jealous because heââ¬â¢s a bastard.â⬠ââ¬Å"Heââ¬â¢s our brother,â⬠Arya said, much too loudly. Her voice cut through the afternoon quiet of the tower room. Septa Mordane raised her eyes. She had a bony face, sharp eyes, and a thin lipless mouth made for frowning. It was frowning now. ââ¬Å"What are you talking about, children?â⬠ââ¬Å"Our half brother,â⬠Sansa corrected, soft and precise. She smiled for the septa. ââ¬Å"Arya and I were remarking on how pleased we were to have the princess with us today,â⬠she said. Septa Mordane nodded. ââ¬Å"Indeed. A great honor for us all.â⬠Princess Myrcella smiled uncertainly at the compliment. ââ¬Å"Arya, why arenââ¬â¢t you at work?â⬠the septa asked. She rose to her feet, starched skirts rustling as she started across the room. ââ¬Å"Let me see your stitches.â⬠Arya wanted to scream. It was just like Sansa to go and attract the septaââ¬â¢s attention. ââ¬Å"Here,â⬠she said, surrendering up her work. The septa examined the fabric. ââ¬Å"Arya, Arya, Arya,â⬠she said. ââ¬Å"This will not do. This will not do at all.â⬠Everyone was looking at her. It was too much. Sansa was too well bred to smile at her sisterââ¬â¢s disgrace, but Jeyne was smirking on her behalf. Even Princess Myrcella looked sorry for her. Arya felt tears filling her eyes. She pushed herself out of her chair and bolted for the door. Septa Mordane called after her. ââ¬Å"Arya, come back here! Donââ¬â¢t you take another step! Your lady mother will hear of this. In front of our royal princess too! Youââ¬â¢ll shame us all!â⬠Arya stopped at the door and turned back, biting her lip. The tears were running down her cheeks now. She managed a stiff little bow to Myrcella. ââ¬Å"By your leave, my lady.â⬠Myrcella blinked at her and looked to her ladies for guidance. But if she was uncertain, Septa Mordane was not. ââ¬Å"Just where do you think you are going, Arya?â⬠the septa demanded. Arya glared at her. ââ¬Å"I have to go shoe a horse,â⬠she said sweetly, taking a brief satisfaction in the shock on the septaââ¬â¢s face. Then she whirled and made her exit, running down the steps as fast as her feet would take her. It wasnââ¬â¢t fair. Sansa had everything. Sansa was two years older; maybe by the time Arya had been born, there had been nothing left. Often it felt that way. Sansa could sew and dance and sing. She wrote poetry. She knew how to dress. She played the high harp and the bells. Worse, she was beautiful. Sansa had gotten their motherââ¬â¢s fine high cheekbones and the thick auburn hair of the Tullys. Arya took after their lord father. Her hair was a lusterless brown, and her face was long and solemn. Jeyne used to call her Arya Horseface, and neigh whenever she came near. It hurt that the one thing Arya could do better than her sister was ride a horse. Well, that and manage a household. Sansa had never had much of a head for figures. If she did marry Prince Joff, Arya hoped for his sake that he had a good steward. Nymeria was waiting for her in the guardroom at the base of the stairs. She bounded to her feet as soon as she caught sight of Arya. Arya grinned. The wolf pup loved her, even if no one else did. You read "A Game of Thrones Chapter Seven" in category "Essay examples" They went everywhere together, and Nymeria slept in her room, at the foot of her bed. If Mother had not forbidden it, Arya would gladly have taken the wolf with her to needlework. Let Septa Mordane complain about her stitches then. Nymeria nipped eagerly at her hand as Arya untied her. She had yellow eyes. When they caught the sunlight, they gleamed like two golden coins. Arya had named her after the warrior queen of the Rhoyne, who had led her people across the narrow sea. That had been a great scandal too. Sansa, of course, had named her pup ââ¬Å"Lady.â⬠Arya made a face and hugged the wolfling tight. Nymeria licked her ear, and she giggled. By now Septa Mordane would certainly have sent word to her lady mother. If she went to her room, they would find her. Arya did not care to be found. She had a better notion. The boys were at practice in the yard. She wanted to see Robb put gallant Prince Joffrey flat on his back. ââ¬Å"Come,â⬠she whispered to Nymeria. She got up and ran, the wolf coming hard at her heels. There was a window in the covered bridge between the armory and the Great Keep where you had a view of the whole yard. That was where they headed. They arrived, flushed and breathless, to find Jon seated on the sill, one leg drawn up languidly to his chin. He was watching the action, so absorbed that he seemed unaware of her approach until his white wolf moved to meet them. Nymeria stalked closer on wary feet. Ghost, already larger than his litter mates, smelled her, gave her ear a careful nip, and settled back down. Jon gave her a curious look. ââ¬Å"Shouldnââ¬â¢t you be working on your stitches, little sister?â⬠Arya made a face at him. ââ¬Å"I wanted to see them fight.â⬠He smiled. ââ¬Å"Come here, then.â⬠Arya climbed up on the window and sat beside him, to a chorus of thuds and grunts from the yard below. To her disappointment, it was the younger boys drilling. Bran was so heavily padded he looked as though he had belted on a featherbed, and Prince Tommen, who was plump to begin with, seemed positively round. They were huffing and puffing and hitting at each other with padded wooden swords under the watchful eye of old Ser Rodrik Cassel, the master-at-arms, a great stout keg of a man with magnificent white cheek whiskers. A dozen spectators, man and boy, were calling out encouragement, Robbââ¬â¢s voice the loudest among them. She spotted Theon Greyjoy beside him, his black doublet emblazoned with the golden kraken of his House, a look of wry contempt on his face. Both of the combatants were staggering. Arya judged that they had been at it awhile. ââ¬Å"A shade more exhausting than needlework,â⬠Jon observed. ââ¬Å"A shade more fun than needlework,â⬠Arya gave back at him. Jon grinned, reached over, and messed up her hair. Arya flushed. They had always been close. Jon had their fatherââ¬â¢s face, as she did. They were the only ones. Robb and Sansa and Bran and even little Rickon all took after the Tullys, with easy smiles and fire in their hair. When Arya had been little, she had been afraid that meant that she was a bastard too. It been Jon she had gone to in her fear, and Jon who had reassured her. ââ¬Å"Why arenââ¬â¢t you down in the yard?â⬠Arya asked him. He gave her a half smile. ââ¬Å"Bastards are not allowed to damage young princes,â⬠he said. ââ¬Å"Any bruises they take in the practice yard must come from trueborn swords.â⬠ââ¬Å"Oh.â⬠Arya felt abashed. She should have realized. For the second time today, Arya reflected that life was not fair. She watched her little brother whack at Tommen. ââ¬Å"I could do just as good as Bran,â⬠she said. ââ¬Å"Heââ¬â¢s only seven. Iââ¬â¢m nine.â⬠Jon looked her over with all his fourteen-year-old wisdom. ââ¬Å"Youââ¬â¢re too skinny,â⬠he said. He took her arm to feel her muscle. Then he sighed and shook his head. ââ¬Å"I doubt you could even lift a longsword, little sister, never mind swing one.â⬠Arya snatched back her arm and glared at him. Jon messed up her hair again. They watched Bran and Tommen circle each other. ââ¬Å"You see Prince Joffrey?â⬠Jon asked. She hadnââ¬â¢t, not at first glance, but when she looked again she found him to the back, under the shade of the high stone wall. He was surrounded by men she did not recognize, young squires in the livery of Lannister and Baratheon, strangers all. There were a few older men among them; knights, she surmised. ââ¬Å"Look at the arms on his surcoat,â⬠Jon suggested. Arya looked. An ornate shield had been embroidered on the princeââ¬â¢s padded surcoat. No doubt the needlework was exquisite. The arms were pided down the middle; on one side was the crowned stag of the royal House, on the other the lion of Lannister. ââ¬Å"The Lannisters are proud,â⬠Jon observed. ââ¬Å"Youââ¬â¢d think the royal sigil would be sufficient, but no. He makes his motherââ¬â¢s House equal in honor to the kingââ¬â¢s.â⬠ââ¬Å"The woman is important too!â⬠Arya protested. Jon chuckled. ââ¬Å"Perhaps you should do the same thing, little sister. Wed Tully to Stark in your arms.â⬠ââ¬Å"A wolf with a fish in its mouth?â⬠It made her laugh. ââ¬Å"That would look silly. Besides, if a girl canââ¬â¢t fight, why should she have a coat of arms?â⬠Jon shrugged. ââ¬Å"Girls get the arms but not the swords. Bastards get the swords but not the arms. I did not make the rules, little sister.â⬠There was a shout from the courtyard below. Prince Tommen was rolling in the dust, trying to get up and failing. All the padding made him look like a turtle on its back. Bran was standing over him with upraised wooden sword, ready to whack him again once he regained his feet. The men began to laugh. ââ¬Å"Enough!â⬠Ser Rodrik called out. He gave the prince a hand and yanked him back to his feet. ââ¬Å"Well fought. Lew, Donnis, help them out of their armor.â⬠He looked around. ââ¬Å"Prince Joffrey, Robb, will you go another round?â⬠Robb, already sweaty from a previous bout, moved forward eagerly. ââ¬Å"Gladly.â⬠Joffrey moved into the sunlight in response to Rodrikââ¬â¢s summons. His hair shone like spun gold. He looked bored. ââ¬Å"This is a game for children, Ser Rodrik.â⬠Theon Greyjoy gave a sudden bark of laughter. ââ¬Å"You are children,â⬠he said derisively. ââ¬Å"Robb may be a child,â⬠Joffrey said. ââ¬Å"I am a prince. And I grow tired of swatting at Starks with a play sword.â⬠ââ¬Å"You got more swats than you gave, Joff,â⬠Robb said. ââ¬Å"Are you afraid?â⬠Prince Joffrey looked at him. ââ¬Å"Oh, terrified,â⬠he said. ââ¬Å"Youââ¬â¢re so much older.â⬠Some of the Lannister men laughed. Jon looked down on the scene with a frown. ââ¬Å"Joffrey is truly a little shit,â⬠he told Arya. Ser Rodrik tugged thoughtfully at his white whiskers. ââ¬Å"What are you suggesting?â⬠he asked the prince. ââ¬Å"Live steel.â⬠ââ¬Å"Done,â⬠Robb shot back. ââ¬Å"Youââ¬â¢ll be sorry!â⬠The master-at-arms put a hand on Robbââ¬â¢s shoulder to quiet him. ââ¬Å"Live steel is too dangerous. I will permit you tourney swords, with blunted edges.â⬠Joffrey said nothing, but a man strange to Arya, a tall knight with black hair and burn scars on his face, pushed forward in front of the prince. ââ¬Å"This is your prince. Who are you to tell him he may not have an edge on his sword, ser?â⬠ââ¬Å"Master-at-arms of Winterfell, Clegane, and you would do well not to forget it.â⬠ââ¬Å"Are you training women here?â⬠the burned man wanted to know. He was muscled like a bull. ââ¬Å"I am training knights,â⬠Ser Rodrik said pointedly. ââ¬Å"They will have steel when they are ready. When they are of an age.â⬠The burned man looked at Robb. ââ¬Å"How old are you, boy?â⬠ââ¬Å"Fourteen,â⬠Robb said. ââ¬Å"I killed a man at twelve. You can be sure it was not with a blunt sword.â⬠Arya could see Robb bristle. His pride was wounded. He turned on Ser Rodrik. ââ¬Å"Let me do it. I can beat him.â⬠ââ¬Å"Beat him with a tourney blade, then,â⬠Ser Rodrik said. Joffrey shrugged. ââ¬Å"Come and see me when youââ¬â¢re older, Stark. If youââ¬â¢re not too old.â⬠There was laughter from the Lannister men. Robbââ¬â¢s curses rang through the yard. Arya covered her mouth in shock. Theon Greyjoy seized Robbââ¬â¢s arm to keep him away from the prince. Ser Rodrik tugged at his whiskers in dismay. Joffrey feigned a yawn and turned to his younger brother. ââ¬Å"Come, Tommen,â⬠he said. ââ¬Å"The hour of play is done. Leave the children to their frolics.â⬠That brought more laughter from the Lannisters, more curses from Robb. Ser Rodrikââ¬â¢s face was beet-red with fury under the white of his whiskers. Theon kept Robb locked in an iron grip until the princes and their party were safely away. Jon watched them leave, and Arya watched Jon. His face had grown as still as the pool at the heart of the godswood. Finally he climbed down off the window. ââ¬Å"The show is done,â⬠he said. He bent to scratch Ghost behind the ears. The white wolf rose and rubbed against him. ââ¬Å"You had best run back to your room, little sister. Septa Mordane will surely be lurking. The longer you hide, the sterner the penance. Youââ¬â¢ll be sewing all through winter. When the spring thaw comes, they will find your body with a needle still locked tight between your frozen fingers.â⬠Arya didnââ¬â¢t think it was funny. ââ¬Å"I hate needlework!â⬠she said with passion. ââ¬Å"Itââ¬â¢s not fair!â⬠ââ¬Å"Nothing is fair,â⬠Jon said. He messed up her hair again and walked away from her, Ghost moving silently beside him. Nymeria started to follow too, then stopped and came back when she saw that Arya was not coming. Reluctantly she turned in the other direction. It was worse than Jon had thought. It wasnââ¬â¢t Septa Mordane waiting in her room. It was Septa Mordane and her mother. How to cite A Game of Thrones Chapter Seven, Essay examples
Career Research Report of Different Industries â⬠Free Sample
Question: Section 1: You are required to research three specific areas of employment in the industry in which you are interested in pursuing a career. Your research should be undertaken with respect to discussion ofall aspects of the field including the following: the nature of the work, the environment, the education, skills, training and personality traits required to be successful, average salaries, the labour market outlook, related positions and typical employers. Sources to use include: books, periodicals, newspapers, professional journals, trade journals and websites. Section 2: This section of the assignment requires you to research a specific employer in each field you have researched in section 1. You are required to include the following in your report: the nature of the employer including the size of the organisation, its history, the organisational structure, its culture and/or mission, branches or subsidiaries, clients or customers, products or services, opportunities for promotion, etc. Most medium to large size organisations have this information on their web site, however you are encouraged to research information from other resources other than the organization itself. Section 3: A description of the typical career path one follows as he/she advances in this career. What is an entry-level position? What are other names of entry-level positions? Is there more than one path one could take? What are the middle to upper level positions? What qualifications are required? Section 4: Your reflection on the above three sections. For instance, reflect on how well you think you would fit in with this employer. Describe your satisfaction in working in the career field you have investigated. How has this research confirmed or changed your plans and why? Are there any areas in which you need to continue to develop skills? Which aspects of the field/position do you like/dislike and why? Which aspects/characteristics do/do not fit? Refer to the exercises completed on interests, skills, and values. Specifically state how there is, or is not a match among these. Thorough and thoughtful analysis is critical to this section. Give specifics! Answer: Introduction In this report, a research on the three specific area of a position in three different industries has been analysed. Automobile, Fashion and Textile has been focused for the assignment. It includes the skills and job profile required for the post. Further, job areas considered in the file is tax accounting, management accounting and finance accounting. The report will include description nature of work, work environment, qualification required and self-reflection on each profile. In addition to this, the present study also reflects the manner in which I have changed my plans and values after completing this research in order to get better job opportunity in a future period. Automobile Industry S1: Three specific areas of employment Nature of work I am interested in working as a finance manager for a corporate. Functions of finance manager are similar to the position of treasurer. Finance manager continues dealing with in-house financing operations and efficiently matching up customer need with its credit has to be done. They are required to assist the management team in making operational decisions (Nasseri, Yazdifar and Askarany, 2016). For this aspect, they are required to plan financial activities to enhance return on the environment along with making a reduction in risk. Primary accountabilities of this profile are the management of funds, budgeting and financial analysis. Environment For this job profile, primarily an office environment will be required. Further, I will be required to visit subsidiaries in order to review their operational activities for preparation of the better financial plan. By considering overall business activities financial planning will be done to achieve aims and objectives of organization in an effective manner. Education and skills Initially, bachelor degree will be required in finance or accounting. Further, MBA with major in business or finance will be required. Experience and knowledge of the industry is an essential requirement (Parmenter, 2015). Minimum experience will be of 5 years of working on a similar profile on major corporate. The previous study shows that preference is provided to individual having qualification of Certified Management Accountant or Certified Public accountant. In addition to this, I must possess managerial skills such as leadership, resolve work issues, remove work barriers and analysing work activities in an effective manner. Along with this, excellent communication skills will be required for the purpose of presentation of analysis of financial aspect to the managerial parties. By considering the industry aspects, individual must possess commendable knowledge of automobile activities in order to provide a cost advantage to the business. Salaries The salary is approx. 6000$ /month. Enhanced communication skills are required because as a manager assistance to another employee is also given. Further, incentives will be attained on annual basis by considering performance. In addition to this, appraisal of salary will be done in accordance with the policy of business. Other factors The related posts are department manager, internal auditor, financial analysts and cost accountants etc. S2: Description of employer Organization description For this job profile, the multinational organisation will be selected. It is because for operating in this industry high amount of resources are required. In addition to this, the company must have a global presence (Tan, 2013). I am preferring to work with Hyundai Motor Company. It was founded by Chung Ju-Yung in 1967. It is headquartered in Seoul, South Korea. This company operates the worlds largest integrated manufacturing facility. Selected company employs 75000 people and it provides an opportunity to qualified fresher. Corporate culture This company had a strict hierarchy and 60 subsidiaries and branches. In addition to this, the company is continuously expanding their operational activities in the global market. However, the company has flexible work culture to support their staff but it is supported by a strict hierarchy. As a finance manager high paced and high-pressure environment has to be faced. The perspective of customer satisfaction has to analyse with concentration (McGivern, Fitzgerald and Waring, 2015). The information of other branches and subsidiaries should also be known to the manager for taking appropriate decision. Client Product The company mainly deals in automobile, construction, engineering, retail, steel, defence and Aerospace industry. However, I am focused on employment in Hyundai Motor Company which mainly deals in automobiles. A client of the company is retailers as they direct do not deal with individual customers. For this company, basically financial planning will be done in order to assist them in executing operational activities in a cost effective manner. In addition to this, future forecasting will be done to minimise future risk and maximise possibility of potential gains. On periodical basis variance analysis to identify difference between actual and forecasted figures. By forming this analysis prevention of differences in variances will be done by preparing better strategies. Opportunities for promotion In this company, I will get various growth opportunities as there is the huge scope of learning new facts and improving my skills and capabilities. Further, I will be able to make use of knowledge in a viable manner. In addition to this, on the basis of my work performance I will get promotion and get senior managerial position with the time. S3: Career path Entry-level positions Entry Level position is one which doesnt need experience; its other names are Sale Associate, inside sale representative. The path is chosen according to alternative available. The middle upper position can be said for the position of Sr. Loan Consultant or Senior Loan Processor. Middle to upper-level positions (From top to middle-level position) Finance manager Financial analyst Account coordinator Consulting Analyst Junior assistant Required qualifications The main qualification for entry level position in the knowledge of the industry and qualified education. In addition to this, the experience of working in the similar industry to the related job is also essential to justify the allocated roles and responsibilities. S4: Self Reflection Current capabilities Skills Rank (1-5) Justification Scope of improvement Bachelor degree in finance 2 This qualification is not sufficient for this job profile as high qualified individuals are required to justify the profile role. I will pursue MBA in finance and prepare for competition exams. Interpersonal skills 3 At present, I am good in leading people but I still face various issues in managing people in a proper manner. I will attend the workshop and participate in college activities in a role of leader. Industry experience 1 Currently, I dont possess industry information. I will work in apprentice program in a well-known automobile company. Job satisfaction level Working on this profile is not highly satisfactory because the individual has to face high pressure as one mistake can lead to losses of millions $. In addition to this, work is monotonous and demanding due to which employee satisfaction level is reduced and they feel over-burdened. However, there is the vast scope of growth and development but the possibility of attainment of this position is very low. Areas for further improvement For working as a financial manager in the automobile industry, I am having qualified education and appropriate experience but with the above analysis, I have to improve my communication skills and other interpersonal skills. Fashion Industry S1: Three specific areas of employment Nature of work To be a management accountant in the fashion industry is the aim of my life. In this industry, I will provide services as a service provider rather than being an employee. In this position, different budgets will have to be prepared according to the need of projects (Chen and Severns, 2016). The role of management accountant is to perform various tasks in order to provide financial security to companies or business organisation. For this job profile, I will be required to handle the financial matter in order to boost overall management strategies. Three core job areas for this profile is financial planning, management issues and cost accounting. Further, job responsibilities will vary as per experience. Although, general responsibilities will be budgeting, handling taxes, aiding in strategic planning and managing assets in order to determine benefit packages and compensation. Environment Typical employers of this profile are public and private institutions having accounting and financial department. Flexible work environment will be provided as per project on which we are working. Education and skills For this job profile, any degrees acceptable in this profession. However, employers may provide preference to individuals having a qualification in business or management or mathematical subjects. For becoming a qualified management accountant, it is mandatory to get training with the professional bodies (Nasseri, Yazdifar and Askarany, 2016). In the various situation, employers provide a clear description in their job profile regarding training institute as they want to work with a service provider having a relevant degree with permit exemptions such as CIMA. For this job profile, good maths and computer skills are required. Key skills for management accountants is as follows: Exceptional investigative and numerical abilities Excellent written and oral communication skills The ability to coordinate with another individual by adopting flexible approach Salaries Intra- personal skills and qualified education will be required for this position. The related position is Budget Analyst, The salary is approx. 5000$ /month. Other factors Related jobs for the similar profile is Accounting manager, senior accountant and Cost accountant. S2: Description of employer Organization description The size of organisation cant be said fixed as it depends on a project we are working on. The structure of the organisation is complex as we have to deal in many sectors regarding budgets. The services provided will be an estimation of sources available and the limit to which it can be extended. The culture and environment of every project should be critically analysed in order to ascertain the further or next move. For this job profile, I will not work with single company as I will be working on the projects provided. With the completion of one project I will switch of another one. Customers and services Customers of fashion houses are both end consumers and retailers. This industry provides fashion products such as wearing apparels to their clients. On this job profile I will provide cost consultancy to different organization in order to assist them in minimising cost of different operational activities. Opportunities for promotion In this industry there is fewer opportunities for standard promotion but an individual can attain commendable growth by their hard work. Further, the experience will assist in gaining more work with good payment (Heferen, Mitchell and Amalo, 2013). By considering this factor, it can be said that in the initial period, individual has to struggle for their success but once they prove their capabilities then companies will approach individual for their services. However, for this aspect, individual must have good knowledge of the industry and appropriate qualification. S3: Career path Entry-level positions In this industry the entry level position are an assistant controller or a post of budget assistant. In this industry more than one path can be taken as large exposure is available and one can put efforts in ways possible till succeeded (Hong and Kubik, 2003). Middle to upper-level positions CFO Accounting manager or senior accountant Junior internal auditor Cost accountant Staff accountant Required qualifications The qualifications required is MBA or Maccand/or CPA or CMA certification is desired for entry level. In addition to this, Strong technology skills (specifically in Microsoft Excel) will be required because the individual has to prepare budgets for financial planning in order to make optimum utilisation of available resources and maximisation of profitability. Further, Fashion houses will prefer a candidate with strong communication and analytical skills. S4: Self Reflection Current capabilities Skills Rank (1-5) Justification Scope of improvement Bachelor degree in finance 4 This qualification is appropriate for this job profile as in this small tax issues are required to be resolved. However, for further improvement, I will resolve practical cases to enhance my practical knowledge. Interpersonal skills 4 At present, I am good in managing my individuals tasks. However, I face the issue in multitasking. I will attend the workshop and participate in college activities in a role of leader. Industry experience 3 Currently, I possess industry information as my acquaintance is working on similar profile and they had provided me good guidance for this. I will work in an apprentice program with on various projects for further improvement. Job satisfaction level This job profile is satisfactory according to me because I will be able to learn various new things and get the opportunity to work with various people. In addition to this, by working on different projects I can enhance my skills and capabilities in this industry. Along with this, I will form new contacts in my profession for getting further opportunities in order to have a successful career. However, for this profile initially, I have to struggle for work and required to be adjusted with nominal pay to gain experience. Areas for further improvement As a management accountant, the enhanced communication skill is an essential factor with educational qualification. The above research has cleared many of my confusions regarding my work and also assisted in taking an efficient and appropriate decision. For this job profile, I will for the small organisation at initial level in order to attain practical knowledge. In addition to this, it will add experience in my resume through which employers will provide preference over other candidates. Textile Industry S1: Three specific areas of employment Nature of work Working as a Tax consultant of a big organisation in the textile industry is my career aim. As a Tax consultant, financial analysis of incentive data is to be done. Knowledge related to technology used for different estimations and of the industry is a necessity (Parmenter, 2015). The related post is a senior assistant. Their main responsibility is to provide a recommendation for tax strategies by considering interpretation and implementation of tax laws. Further, they will also be required to prepare provisions of tax schedules by reviewing, preparing and consolidating financial information. Environment The corporate environment will be formal as an individual has to deal with managerial parties in order to resolve their tax issues. However, work profile will be flexible as tax consultant have to work on a various project simultaneously in order to ensure compliances of overall legal factors in a commercial entity. Education and skills For this job profile, individual must possess Results Driven and Deadline-Oriented skills. Further, they must be post graduated in relevant field. Description of technical skill required for this job profile is as follows: Minimum 5-year experience within Tax Experience of working with textile company will be preferred Knowledge of commercial, legislative and industry Ability for applicability of QRM procedures Bachelors degree Professional qualification preferred such as CMA Salaries The salary is approx. 5500$ per month. Along with this amount, various benefits are provided such as profit amount on penalty saved or amount involved in particular case situation. Further, if the individual is not employed then they will get fees per case on the basis of nature of business. In addition to this, by procurement of viable certifications and experience, they can attain a significant increase in annual salaries (Apostolou, Hassell and Watson, 2013). Study of AICPA shows that tax consultants who have obtained licensure as a CPA are able to 10-15% higher in comparison to individual who have not achieved this designation. Other factors Another related job for this profile is a tax accountant, senior financial consultant, internal auditor etc. S2: Description of employer Organization description The organisational structure is based on step by step methodology. The information of other branches and subsidies is also availed for ascertaining whether the policies have been followed by them or not. The environment should be peaceful so that existing issues should be effectively cleared out (Chen and Severns, 2016). Critical analysis of automotive incentive programme is being provided to the organisation. The culture of the organisation should be developed and changed according to change in social factors. I am preferring to work with 3 Wishz Metal Fabrications situated in Auburn, NSW Australia. It is a large company operating in the textile industry. The company follows the proper hierarchy and strict adherence to same. Client and services Textile industry produces cloth and threads thus they deal with producers of garments. They provide raw material to On this job profile, I will be required to provide services like Analysing Information, managing Corporate Finance, Dealing with Complexity Accounting, Strategic Planning, Financial Diagnosis, Tax, Legal Compliance and Reporting Skills. Opportunities for promotion S3: Career path Entry-level positions Entry level position for this job profile is assistant or secretary. In this, no experience is required and enhanced training is also made available for development. More than one path cannot be taken as more concentration is needed. The educational qualification required is having Masters degree in major finance or business. Middle to upper-level positions Compliance/Regulatory Affairs Manager Chartered accountant Tax analyst Financial trader Risk analyst Required qualifications For developing career as a tax consultant, individual must be able to analyse and solve tax issues by providing maximum benefits to their clients. In addition to this, an individual must possess Results Driven and Deadline-Oriented skills (Tan, 2013). Further, they must be post graduated in relevant field. It is because; on this profile, individual has to deal with the senior client so maturity and confidence are required to gain the trust of all level of people. S4: Self Reflection Current capabilities Skills Rank (1-5) Justification Scope of improvement Bachelor degree in finance. 2 This qualification is not sufficient for this job profile as high qualification such as qualification of Certified Public accountant is required to justify the profile role. After completion of my post-graduation, I will fight competition exams. Interpersonal skills 3 Excellent communication and analytical skills are required for this profile. However, presently I am not able to analyse critical tax issues. I will solve case studies of taxes and pursue a professional course to assist the company in resolving their tax issues. Industry experience 1 Currently, I dont possess industry information. I will work in apprentice program in a well-known textile company and solve case studies. Job satisfaction level This profile is interesting because learning comes with various growth opportunities. It is because; resolving tax issues enhance practical knowledge and built reputation in the market. Thus, by working on this profile I will get the opportunity of creating my own identity. In addition to this, on this profile, I will earn good money to secure my future. Areas for further improvement In the above research, many new methodologies of estimation were known and that assisted in further calculations also. I was qualified as per educational requirement but with this analysis, the base and reason of many circumstances were known. It has enriched me with knowledge of many factors which are to be considered in this sector, through which effective initiative could be approached. For working on this job profile I am required to learn various things such as interpretation and applicability of taxation law in the different business situation. Further, I will be required to upgrade my knowledge with the changing laws in order to provide viable tax solution to companies with whom I will be working. Conclusion In accordance with the present study, it can be articulated that for job profile of financial accountant, tax consultant and management accountant high qualification and industry experience is required. It is because; a profile of financial manager comes with various roles and responsibilities. By considering this factor, individual must have knowledge of industry along with qualifications and interpersonal skills. On the basis of the present study, I will work on my interpersonal skills to enhance my capabilities. Furthermore, I will join apprenticeship program to have industry and work experience. This approach will improve my practical knowledge and make my resume more worthy and attractive. By the applicability of above describe factors, I will be able to attain good opportunities in my career. References Books and journals Apostolou, B., Hassell, J.M. and Watson, S.F., 2013. Accounting education literature review (20102012). Journal of Accounting Education. 31(2). Pp.107-161. Chen, L. and Severns, R., 2016. A Study of Interest and Perception of the Financial Planning Profession among Finance Undergraduate Students. Journal of Financial Counseling and Planning. 27(1). Pp.130-140. Heferen, R., Mitchell, N. and Amalo, I., 2013. Tax policy formulation in Australia. Economic Round-up. (2). P.1. Hong, H. and Kubik, J.D., 2003. Analysing the analysts: Career concerns and biassed earnings forecasts. The Journal of Finance. 58(1). Pp.313-351. McGivern, G., Currie, G., Ferlie, E., Fitzgerald, L. and Waring, J., 2015. HYBRID MANAGERPROFESSIONAL IDENTITY WORK: THE MAINTENANCE AND HYBRIDIZATION OF IN MANAGERIAL CONTEXTS. Public Administration. 93(2). Pp.412-432. Nasseri, A., Yazdifar, H. and Askarany, D., 2016. Management accounting education for the 21st Century firms. International Journal of Finance and Managerial Accounting. 1(1). Pp.75-77. Parmenter, D., 2015. Key performance indicators: developing, implementing, and using winning KPIs. John Wiley Sons. Tan, L.M., 2013. Towards an understanding of the tax practitioner-client role relationship: A role analysis. Routledge.
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